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“True ease in writing comes from art, not chance, / As those move easiest who have learn’d to dance,” wrote Alexander Pope. “The dance,” in the case of Oliver’s brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet’s ear and a poet’s grace of expression, Oliver shows what makes a metrical poem work—and enables readers, as only she can, to “enter the thudding deeps and the rippling shallows of sound—pleasure and rhythm—pleasure that intensify both the poem’s narrative and its ideas.”
“One of the astonishing aspects of Oliver’s work is the consistency of tone over this long period [of her career]. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets . . . There is no complaint in Ms. Oliver’s poetry, no whining, but neither is there the sense that life is in any way easy . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward.”
—Stephen Dobyns, New York Times Book Review